Snow Wrong

Snow Wrong

By Bob Small

One explanation for why the Disney Studio made the live action remake the way they did is that they believed Biden/Harris would win a second term. However that result turned out to also be a fairy tale.

(Rachel Zegler) is a pro-Palestinian spokeswoman whereas the Evil Queen (Gal Gadot) served in the IDF, and is vocally Pro-Israel. One imagines discussions on the set might have been very lively.

By trying to “empower” Snow White it unempowers the Prince. If you’re waiting for “Someday My Prince will come, spoiler alert it doesn’t)

And there’s more. Or rather less.

Not only are the Dwarfs removed from the title “– Snow White and the Seven Dwarfs” was the title in 1937 — it has been “de-dwarfed”, taking away work from dwarf actors such as Peter Dinkage, among others.

One of the best comparisons of this “artistic malfeasance” is this review which calls it “about as sensible as remaking “Singing in the Rain” as a cartoon.

Trigger warnings have been issued in the UK, saying that “a woman is deliberately poisoned” and “a girl is surrounded by ominous trees”.

Oh, the horror!

In an essay on the 2019 live-action version of Alladin, Aisha Harris wrote in The New York Times that “shoe-horned progressive messages only brings more attention to the inherent crassness of Disney’s current exercise in money-grabbing nostalgia”

Discussing this film, the concept of “endless splitting hairs over the authenticity (italics mine) of a fairy tale”.

See also:

Snow White review – Disney’s exhaustingly awful reboot

Snow White (IMDB reviews)